I enjoy creating new surfaces on glass. For that, I appreciate the patterns inspired by the world of fabric that expand throughout the surface of glass and give the impression of continuing “outside the frame”. This approach of painting and sandblasting gives a more architectural dimension to the decor, which becomes a surface or even a texture on glass before becoming an ornament. The pattern thus conceived on a large scale, even when it is otherwise meticulous and refined, then offers a filter for the gaze which can be read on two scales: up close, it is a pattern, from afar, a tingling effect for the eyes.
This research around textiles can lead to various paths, from wax to oriental and Japanese damask, passing through the designs of William Morris…